Merengue Tipico / Perico Ripiao

Three main types of merengue are played in the Dominican Republic today. Though similar rhythmically, they are distinguished by their instrumentation and repertoire. Perico ripiao, which is usually called merengue típico in the DR, is the oldest style still commonly played. It originated in the northern valley region around the city of Santiago called the Cibao, a rural, agricultural area, so some merengueros call it the "country music" of the DR. It first appears in the historical record in the 1840s, when moralists tried to ban the music because of its suggestive lyrics and the sensual movements of merengue dancers. The music's very name suggests controversy: "perico ripiao", literally "ripped parrot", is said to be the name of a brothel where the music was originally played. Of course, efforts to censor the music were unsuccessful and largely counterproductive, since its popularity has continued up to the present time.

At first, merengue típico cibaeño (traditional Cibaoan merengue) was played on stringed instruments like the tres and cuatro, but when Germans came to the island in the late 19th century trading their instruments for tobacco, the accordion quickly replaced the strings as lead instrument. The two principal percussion instruments, güira and tambora, have been part of the ensemble since the music's inception, and are so important that they are often considered symbolic of the whole country. The güira is a metal scraper believed to be of native Taíno origin, while the tambora is a two-headed drum of African origin. Together with the European accordion, the típico group symbolizes the three cultures that combined to make today's Dominican Republic.

One important figure in early merengue was Francisco "Ñico" Lora (1880-1971), who is often credited for quickly popularizing the accordion at the turn of the 20th century. Lora was once asked how many merengues he had composed in his lifetime and he answered "thousands", probably without much exaggeration, and many of these compositions are still a standard part of the típico repertoire. He was a skilled improviser who could compose songs on the spot, by request. But he has also been likened to a journalist, since in his precomposed songs "he commented on everything with his accordion" (Pichardo, in Austerlitz 1997:35). His compositions discussed current events such as Cuban independence, World War I, the arrival of the airplane, and US occupation of the Dominican Republic. Among Lora's contemporaries are Toño Abreu and Hipólito Martínez, best remembered for their merengue "Caña Brava". This popular song was composed in 1928 or 1929 as an advertisement for the Brugal rum company, who were then selling a rum of the same name. Brugal paid Martínez $5 for his efforts.

Merengue experienced a sudden elevation of status during dictator Rafael Trujillo's reign from 1930 to 1961. Although he was from the south rather than the Cibao, he did come from a rural area and from a lower class family, so he decided that the rural style of perico ripiao should be the Dominican national symbol. Like any dictator, he was a megalomaniac who constantly required fuel for his ego, and he ordered numerous merengues to be composed in his honor. With titles like "Literacy", "Trujillo is great and immortal", and "Trujillo the great architect", these songs describe his virtues and extol his contributions to the country. Trujillo's interest in and encourangement of merengue created a place for the music on the radio and in respectable ballrooms. Musicians like Luis Alberti began to play with "big band" or orquesta instrumentation, replacing the accordion with a horn section and initiating a split between this new, mostly urban style and mostly rural perico ripiao. Today, New York City Latino radio is still dominated by orquesta merengue (covered in part II).

Típico musicians continued to innovate within their style during the latter half of the twentieth century. Tatico Henríquez (d.1976), considered the godfather of modern merengue típico, replaced the marimba with electric bass and added a saxophone (it was used before, but infrequently) to harmonize with the accordion. A prolific composer, Tatico's influence cannot be overestimated: nationally broadcast radio and television appearances brought his music to all parts of the country, leading to widespread imitation of his style and dissemination of his compositions. Today, these works form the core of any típico musician's repertoire. Other innovations from this period include the addition of the bass drum now played by the güirero with a foot pedal, a development credited to Rafael Solano. Many of today's top accordionists also began their careers during this period, including El Ciego de Nagua, Rafaelito Román, and Francisco Ulloa.

In the 1990s, most groups maintained the five-man lineup of accordion, sax, tambora, güira, and bass guitar, though a few new innovations have been made. Some younger band leaders have also added congas, timbales (played by the tamborero), and keyboards to their groups in an attempt to close the gap between típico and orquesta and increase their listening audience. The most popular artist at present is El Prodigio, a young accordionist respected by típico musicians of all ages. Though he has become famous for recording his own compositions in a modern style, he is also able to perform all the "standards" of the traditional típico repertoire and is a talented, jazzy improviser. New York-based groups like Fulanito have experimented with the fusion of típico accordion with rap vocals. Young artists such as these have been able to bring merengue típico to new audiences.

Merengue típico songs are generally composed in two parts. The first section is rhythmically straightforward and is used to introduce the song's melodic and lyrical material; here, verses are sung and the only improvisation heard occurs at the end of song lines, when the accordion or saxophone fills in. The second section is dominated by improvisation, more complex rhythms, and hard-driving mambo, or the part of the song where melody instruments (sax and accordion) unite to play catchy, syncopated riffs or jaleos which help motivate and stimulate dancers. Típico rhythms include merengue derecho, or straight-ahead merengue, which is the kind of fast-paced 2/4 time merengue most of us are used to hearing, usually used in the first section. Pambiche or merengue apambichao is similar but usually slower, and can be recognized by the double slap rhythm on the tambora. Guinchao is a third rhythm combining the first two that is commonly heard in the second section of a merengue. Típico groups do not have to limit themselves to merengue as they can also play other traditional rhythms from the Dominican Republic and elsewhere, though this was more common in the past than at present. Mangulina and guaracha are now seldom heard; the latter is a clave-based style in 4/4 originally from Cuba, while the former is a 6/8 dance native to the DR. Paseo was a slow introduction to a merengue song during which couples would promenade around the dance floor in stately fashion.

Comments

jaja que biba trujillo

muy buena ESTA PELICULA ME GUSTO MUCHA Y MUY CHISTOSA Y ME GUSTO EL CHIN DEL PEO

Soy de Holanda.¿Cuál es el nombre de una vieja canción (Dominicana?) que cantan: " ... gato triste ... Porque Tu te Fuiste"
(Merengue rapido)

Favor ayudenme par poder DESCARGAR el disco
(MI ENFERMEDAD) De Tatico... Soy loco con esta musica! Gracias

Soy un fiel admirador de este genero musical,y para mi el mejor de los que he escuchado fue Tatco Henrriquez a diferencia de un amigo que dice k fue Guandulito ,para mi Tatico es el simbolo de la musica tipipica, unque reconosco que hubo otros muy buenos antes de el .

Me gusta el merengue tipico, de lo mejor.

hola, fue un proceso dificil para mi adivinar las pertituras de musica para merengue en 1993 en nueva york, un nicaraguense haciendo merengue, nica-dominicano.

es muilinda lla pelicula pork representa el campo y la cuidad de todo

el mejor merengue tipico dominicano

grasias pero no me ayudo en nada mamaguebo

Y etah maldetah mierda de donde salio coño...

awwww ta jevii

esta pagina sabe mucho

esta pagina no sabe de na esa mamagueva

muy bien explicado gracias.pero necesito saber de que vocablo ,deriva su nombre o que significa

esta jebi

esta buena esa buskeda

no busco eso

el mejor merengue es el merengue dominicano

me gusta el merengue tipico

Como surge el primer genero musical no es tan difisil responde. Eso

Como surge el primer genero musical no es tan difisil responde.

Saludos:
Quiero hacer una humilde aclaración. El perico ripiao es un conjunto folklorico no un conjunto tipico. Para ser un conjunto tipico hay que agregarle el saxofon, que es un instrumento que tiene metodo para interpretarlo. Los conjuntos van adquiriendo su nombrea medida que se le agregan instrumentos. tipico, combo, pericombo, orquesta, etc.
El conjunto musical folklorico del sur llamado pripri es el mismo conjunto folklorico llamado perico ripiao, con la diferencia de que el pripri lleva BALSIE y panderosen vez de tambora, y acompana los ritmos mangulina, carabine, etc. OJO!!! No confundir el conjunto pripri con el baile de pripri o merengue de palo echao.

Y klk Con El Merengue eso ee lo maa duroh de El Mundo

mexicano seguidor de los rinmos dominicanos.

esta orribleeeeeeeee

los dominicanos nos identificamos con el merengue

el merengue eslo mejor del mundo

very good report

i would like to perform infront of many people

i would like to perform because it looks so interesting

y yo no soy chismosa pk lo k estoy haciendo es defendiendo a mi pais

liselotte, tu fuiste que le diste click a este resultado, asi que ubicate y tu liseya para lo buscas si lo que vas a hacer es a criticar, CHISMOSAS LAS 2

me encanto que ustedes se sientan orgullosos de nuestro merengue me encanto sigan asi

nuestra musica es la mejor del mundo con nuestro merengue tipico

que orrible jajajaja

no esta muy bien pregunte que es no de que vino quienes lo cantan ect okey k le quede claro

los lo cos no bul to

me encanta el merenge nicole n.p.s loca.

genial,me encanta el merengue pero desconocía su evolución.me gusta q han manteniendo un genero que los define,lo cual no pasa con la salsa q algunos países se la disputan

Muy didactico, los felicito estoy aprendiendo a conocer las raices del Merengue, pense que el Perico Ripiao era una cancion, ahora comprendo mejor, felicitaciones prosifan con estas enseñanzas puesw nos permite conocer mejor la esencia de America latina en sus distintas manifestaciones.

bolaso

Excelente Reporte! muy bueno el saber que contamos con Dominicanos orgullosos de su cultura, una vez mas excelente.

eso es un buena tarea para todo el que la ba a buscar.

que porqueria de informe

Exelente Articulo Felicidades!!! Desde Venezuela Dominicano Hazta La Guira Coño!!! Q Viva La Rep.Dominicana

Nuestro merengue a sido los mas trascendental que ha tenido``R,D´´ Como país cabe destacar que han pasados músicos como , Tatico Henrriquez , El Ciego de Nagua , Rafelito Román , Francisco Ulloa y La querida Vieja Fefa , Entre otros , se puede decir que siempre han servido en todo lo que se llame apoyo para la música típica, el cual merenguero que no sera olvidado es Tatico Henrriquez por su famosa trayectoria .....YO SOY MERENGUERO HASTA LA TAMBORA...

es un gran articulo el que acabamos de leer,que bueno que tenemos personas preocupadas por nuestra cultura. Felicidades.

jevi aunke no lo e leidoo

i love merrengue