El Chivo Sin Ley

  • Bachata Roja; Amor y amargue
  • The Bachata Legends

Ramon Isidro Cabrera, ‘El Chivo Sin Ley’ figures prominently as one of the handful of bachateros whose enormous popularity and irresistible performance helped bachata break free of social stigma. Born in a country town near the resort city of Puerto Plata in the Dominican Republic, El Chivo and guitar greats Edilio Paredes and Augusto Santos have been musical collaborators since the early 1970s. In 1974 Chivo and Augusto achieved huge success with ‘El hijo sin padre’ – launching Chivo’s career as one of bachata’s most popular and prolific singer/songwriters.

Chivo derives his name from his hugely popular song “El chivo sin ley”, which he recorded in 1975. ‘Chivo sin ley’ means lawless goat in Spanish; a goat which Chivo says “Anda suelte, y nadie se lo come” which translates as ‘Roams free and is nobody’s dinner’. Anyone experiencing El Chivo’s belting voice and expressive performance can attest immediately to the appropriateness of the name.

As with many of bachata’s great stars, Chivo was born to a musical family. His father was a master of decima, an improvised vocal and poetic style with origins in Moorish Spain. He describes as a child having contests with his father in poetic improvisation. It is not surprising that Chivo’s namesake song is actually a decima adapted to the bachata form.

Chivo began his career as a guirero, an instrument he learned performing in Afro-Dominican palo groups. He went on to become a skilled instrumentalist and percussionist and besides singing plays tambora, guira and rhythm guitar. His tambora is on Julio Angel’s ‘El salon’, and the song ‘El chivo sin ley’ is on Bachata Roja’s sequel – scheduled for release in 2009.

In the early 1980s, Chivo, Ramon Cordero, Edilio Paredes and Cuco Valoy collaborated to create a performance series called “Lunes de Amargue” (Amargue translates loosely as the bitter-sweet feeling of unrealized love). The series was so successful that copycat ‘Noches de amargue’ surfaced and bachata began to be referred to as “Musica de amargue”, a term still used today. The success of these shows helped bachata reach new more affluent audiences and was an important prelude bachata’s emergence internationally. Chivo and Cordero’s vocal magnetism and dramatic stage presence joined with Edilio’s expressive virtuosity proved irresistible. The famous collaboration is now reborn in the Bachata Roja’s concert series.

A note on the artist's name: "El Chivo Sin Ley" has at times also been known artistically as "Ramoncito Cabrera" and also as "El hijo de Quisqueya". This can be a source of confusion as CDs, tapes and 45s of his music have been issued under all three names.

-- Benjamin de Menil

  • El Chivo Sin Ley - Album Cover
  • El Chivo Sin Ley
  • El Chivo Sin Ley
  • El Chivo Sin Ley


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victor January 30, 2014

como puedo contactar al chivo sin ley

angel mateo medina July 25, 2012

polk no estas disponible la descarga de este artista

frankpeguero January 24, 2012

Por favor aquien debo recurrir para hacer un bonche con este artista que cuando los oigos me pone los nervios de puntas

FRANKPEGUERO January 21, 2012

soy un gran fanatico de esas bachatas porque tinen un sentido cxomun muy orinal

ernes November 25, 2011

Bachata is good i love it, and the dance is wonderful i enjoy it so much only when dancing with a Dominicana woman its like a paradise if you know what I mean.!!!

adolfo jaquez October 24, 2011

necesito saber como puedo asistir a una fiesta de ysidro cabrera el chivo sin ley

antonio June 11, 2011

esos son los fuertes

anthony diaz January 8, 2011

esas son berdaderas bachatas con letras y sentimiento felizidadez y me gustaria saber que paso con efrain morel contestenme por fabor tambien me gusta su musica al igual que la de ustedes gracias