| Song Samples: Bachata Roja |
| Muero contigo - Rafael Encarnación |
| O la pago yo o la paga ella - Marino Perez |
| La muneca - Eladio Romero Santos |
| Equivocada - Blas Duran |
| Ladrona - Felix Quintana |
| Estoy aqui pero no soy yo - Juan Bautista |
| Olvida ese hombre - Augusto Santos |
| Si me la dan la cojo - Augusto Santos |
| El salón - Julio Angel |
| Yo pagare la cerveza - Julio Morales |
| Amor del bueno - Ramon Cordero |
| Esta noche yo la llevo - Efrain Morel |
| Mi Secreto - Leonardo Paniagua |
| Asesina - Juan Bautista |
| Low fidelity audio samples Hi fidelity tracks available with purchase 
|
BACHATA ROJA: Acoustic Bachata from the Cabaret Era
The first international release of classic Dominican bachata
Reviews:
Feature: Songlines Magazine
Interview: WNYC, Leonard Lopate
The Music Box
NY Daily News
Boston Phoenix
Slipcue
All Music Guide
Click here for Bachata Roja lyrics & translations
iASO Records' Bachata Roja is the first ever compilation of classic Dominican bachata. From the early 1960’s to the late 1980’s the legendary voices of Eladio Romero Santos, Leonardo Paniagua and Blas Duran spoke to the hearts of a generation. The dizzying guitar accompaniment of pioneers like Edilio Paredes and Augusto Santos charted the course of bachata’s rise, and for three decades theirs was the sound of the streets of Santo Domingo. IASO has selected here some of the defining songs of bachata’s pre-electric era.
Initially the term "bachata" referred to an informal backyard party with food, drink, music and dance. In rural areas of the Dominican Republic in the 1950’s and earlier, the music played at these events was more often than not guitar-based and included a variety of popular styles such as Cuban bolero, guaracha and son, Puerto Rican jíbaro music and Mexican ranchera. Drawing on all these influences, a bold new guitar style emerged in the heart of Santo Domingo’s burgeoning urban shanty towns. Much despised by elite society - who controlled the island’s television, radio and major recording studios – the new music was dubbed disparagingly “bachata,” an allusion to perceived rural backwardness.
Though boycotted by major media outlets, a grass-roots movement coalesced around favorite singers of the time – who expressed in unvarnished terms the pain, sorrow, humor and romance of daily life. Arising from the urban bordellos and the campos, bachata music grew to become wildly popular across all strata of society. Throughout this period, the defining sound of bachata was that of the Spanish acoustic guitar, whose florid phrasing seduced dancers, chastised faithless lovers and softly serenaded coy mistresses of the night.
Today bachata has become part of the troika of popular tropical Latin music: salsa, merengue and bachata. Yet, many of bachata's newer fans are not aware of its humble beginnings, and most have not had an opportunity to hear what real bachata sounded like before it was "dressed up" to enter the mainstream. Bachata Roja is an extraordinary and long-overdue collection of some of early bachata's most exceptional and versatile musicians. It will, at long last, give devoted fans a chance to discover, or re-discover, the richness of bachata's roots.
Produced by: Benjamin de Menil, David Wayne, Edilio Paredes
Introduction & Photos: Deborah Pacini Hernandez